Till Fellner

As the logical climax to his survey of the complete piano sonatas of Beethoven, Till Fellner reaches the visionary group of three masterpieces which constitute a perfect distillation of the composer’s famous third period.

Although not his last works for the instrument, the three sonatas nevertheless cover so much emotional and technical ground that any further contribution to the genre may well have seemed superfluous to Beethoven who would increasingly turn to the cryptic utterance suitable for Bagatelles.