Viktor Ullmann’s short opera The Emperor of Atlantis was written when the composer and writer were prisoners at the Terezín concentration camp, and it was first rehearsed by inmates of the camp, most of whom perished when transferred to Auschwitz before the premiere. The score was smuggled out of the camp, and it has been acclaimed in performances around the world as an extraordinary testament of wit and humanity in the face of barbarity.
It is not set in the camp – ironically, this black comedy reflects Ullmann’s experiences as an Austrian soldier in the WWI Italian campaign. In the story, Death, disgusted by war, resolves to go on strike (did someone mention Torchwood?), and drives a hard bargain with the Emperor Overall before going back to work.
Ullmann’s score, jazzy and expressive, is full of humour and pathos, and the opera is deeply moving. James Conway’s new production is paired with a poignant staging of Bach’s sublime cantata Christ lag in Todesbanden (Christ Lay in Death’s Bonds), arranged by Iain Farrington for Ullmann’s unusual orchestra.
Generously supported by the ETO Atlantis Syndicate
New production
Sung in English
Running time: 1 hour and 20 minutes (with no interval)
The Emperor of Atlantis will be preceded by Towards an Unknown Port, a 10-minute cycle of songs written by Helen Chadwick in response to the opera and performed by a local amateur choir, followed by a free pre-show talk. Your ticket also entitles you to attend these extra events starting at 7.30pm.